剧情简介
《雕像(xiàng )也会死亡(wáng )》（Les statues meurent aussi，阿(ā )兰·(🐮)雷乃、(😧)克里斯·马尔凯，1953年出品，27分钟(👑)）(🎩)尖锐地批(🎡)评了西方殖民主(🔲)义对非洲传(🚥)统艺(yì )术(shù )的戕害以(yǐ )及自(zì )称热爱(ài )非洲艺术的(🐶)上等(děng )阶层(céng )(😱)的(de )贪婪与(💞)伪善(shàn )。本片的(🚣)主角(jiǎo )(🥁)是(shì )来自黑非洲的人物(❔)雕像、面(miàn )具和其他(🥔)非(fēi )洲艺术品，但是它们的演出场所并(bìng )非黑(💪)人(rén )的故(⏰)乡，而是(🥫)白(bái )(🤷)人的欧洲(zhōu )(🚻)，艺术品(😍)市场(👺)和艺术品拍(🥕)卖(🕐)会是它们频(pín )频出没和滞(zhì )(🗳)留的(de )中转地。这些本来被(bèi )非洲部(🐾)族用来抵抗死亡的(de )面具和(hé )(🥋)雕像，如今(jīn )却呆在(zài )博物馆的橱窗(🙎)里静(jìng )(🎥)静地死去。此时，画外音告诉我们：“当(💸)人死去(🍽)的时(shí )候，他便进入(rù )了历史；当这(zhè )些雕(diāo )像死去的时候，它们(🔲)进(👛)入了(le )(😳)艺(👗)术(🎦)；这种(🍺)关于死亡的(de )学问，我们最后(hòu )称之(zhī )(💑)为文(wén )化。”由(yóu )于(🏸)本片具(jù )有鲜(xiān )明而强烈的(de )社会批判意识，自(zì )拍竣之日(rì )起(🐅)即遭到法国政府(🛃)禁映，直到1963年才解禁。本片由长于(yú )(⛎)剪(jiǎn )(🏖)辑的阿(🍈)兰(lán )·(🏗)雷乃操刀剪辑，由强于写作的克里斯·马尔凯撰写(🐼)解说，充(chōng )分(fèn )发(fā )挥(🌽)了两(liǎng )人各自的(🦄)强项，可谓(wèi )强强(qiáng )(🍐)合(🚔)作(🧔)的(🌮)结(👎)晶。
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
猜你喜欢