1960年的夏天,社会学家(jiā )埃(āi )德(dé )(🕋)加·莫兰和让·鲁什对(duì )巴黎年(🎹)轻人的日常(cháng )生(shēng )活进(🏴)行调查,了解他(tā )们对(👋)幸(xìng )福的理(❣)解。这部论述电(diàn )影(yǐng )连(🐿)续几个月(🎩)跟踪调查(🎡)的进行,也记(jì )录了(🥄)主(🛹)人公们(🚥)的变化。调(diào )查中被采访(fǎng )(🍮)的人最(zuì )后(hòu )(🚸)在(zài )影片第一次放(fàng )映的时候聚集在一(📎)起(qǐ )观(guān )(🚣)看(🔩)进行(háng )讨(📯)论(🚨),有人的(de )赞(zàn )同,有的(de )人驳(🌊)斥。两位导(🗞)演通过这部真(zhēn )实电影,经历了既极(🙉)具挑战又充(🈴)满乐趣(🥫)的体验。
"In the summer of 1960, Jean Rouch and Edgar Morin investigated the everyday life of people living in Paris. ""Are you happy? How do you live?"" These are some of questions they asked young people on the street in an attempt to understand their idea of happiness.
(🤬) From manual labourers, students, to a couple of office workers, the different protagonists reveal themselves in conversation, unconcerned about the presence of the camera. With no script, and no professional actors, this film sets out to frame the limits of cinematographic truth."
(🏽)1961 戛纳国际电影节 国际影(yǐng )评人奖