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(🌠) 本(běn )片(🆓) 荣获第四届(jiè )深圳青年(nián )影像节纪录片类 最佳创意奖 ，香港中文(wén )大(🛤)学、 第二届中(zhōng )国(💤)民族博(bó )物(🌫)馆 永(🎲)久收(shōu )藏(🌗)奖 。
有(yǒu )意想观(guān )看的(🎡)，可(kě )(🕯)联(lián )系(🙍)版权方微信：1714371600
(🖍)《加一》颠覆大众(zhòng )对(🔊)留(💞)守儿童(tóng )的固定(🚣)思(sī )(🔩)维，以独特(tè )的视角呈(chéng )现最(zuì )真(🦗)实的留守儿童生活。
加一是(shì )一(㊙)名(míng )(👓)留守儿(ér )童，父(fù )母常年在(zài )(🥫)外打工，每(🚻)次短暂的相聚都会牵动加一幼小 的心(🤖)灵：长途 跋涉和爷爷去(qù )(💔)看(🏉)望在外打工(💍)的(🚗)父母，离别(➡)时(shí )(🏻)躺在爸爸(bà )腿上静静落泪；春节过后妈妈(mā )提前(qián )出(🙎)去打(🎥)工(gōng )，没有说再见是(⏲)因为偷偷躲在被 窝里(💸)泣不(bú )成声。然而(ér )父母离开后生活(🐖)依(🆙)然(rán )(🖍)要继(jì )续，忍受过难尝的(🎐)别(🍁)离滋味(wèi )后，依然(rán )要忘掉烦(🐂)恼，快乐(lè )(👩)地和同(tóng )学玩耍，淘气地逗哭弟(🍹)弟后又像(xiàng )(💁)大人一(yī )(🧥)样哄着他。每天和弟弟徘徊在哭与(yǔ )笑之间，就这(zhè )样在痛与乐中(zhōng )成长着。
留守儿(🌒)童(tóng )并(bìng )不是(shì )“苦逼”的代(dài )名(😼)词，他们(🔝)有他们的快(kuài )乐，有他们的纯(chún )真(😙)，他们也确实要忍受不一样的(de )孤独和(🦄)无奈。大时代下的(🚔)小(🧔)人物(wù )，他(🚹)们的生存(cún )(⏩)状(zhuàng )态(🔡)是这个时代的特(tè )殊印(🍏)迹(➿)。
The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
(🐸) “Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
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