前身是皇軍軍港的(📒)吳(wú )港(gǎng ),戰後成(chéng )為(wéi )船(😘)塢工(gōng )人的(de )生活(🤢)煉獄(🍥)。在資本(běn )家剝削和枯燥生(shēng )(🔬)活(huó )的(🗼)雙重煎熬下,躁動(dòng )(👋)的年(🎲)輕生命(🌗),一(♑)頭栽(zāi )進暴力漩渦(🕔),延擱成長,終(🎡)日在打(👁)鬥、賭博(bó )(🔲)、酗酒(🚉)中(🏐)尋找暫時的麻醉。吉田喜重通過工(gōng )頭(🖍)之眼,對不(bú )合(😱)理(lǐ )的社會現實作(zuò )出欲迎還拒的批判,被視為日本新浪(🦗)潮代表作之(zhī )一。香山美(měi )子飾演純真的酒館(🌞)女待,同情工人(⛓)卻慘(⏰)被(bèi )強姦,正(🤷)與(yǔ )負的能(🚻)量,在大(dà )時(shí )代中比拼互滲,可有超(chāo )越對與錯,是與非(🤘)的位置(zhì )?片末火車站送別(💍)一場(🐾),在家和社(🏻)會之間(⛏),吉田喜(🤷)重作出了左翼(yì )的(de )選(🐩)擇。
One of the key films ushering in the Shochiku "New Wave" era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic "roughs" to come.
- SummerIFF 2007