剧情简介
2018年5月和6月，Jean Gabriel P_Riot与位(wèi )于Ivry Sur Seine的一(❣)所高中的10名(🖲)电影班学(xué )生(👑)合作，开展(🎡)了(🕖)一项将(🙍)电影与(🔲)政(zhèng )治(🛹)结合起来(🐖)的项(xiàng )目。学生们在摄像(xiàng )机前和摄像机后工(🕕)作，重新布置(💞)罢工、抵抗(kàng )和劳(🔩)资(🥁)纠(🌚)纷(fēn )的场景，这些电影可以追(🎛)溯到20世纪60年代末到70年(nián )代末(mò )，包(bāo )括(kuò )(🙀)让(🙉)-卢(⛓)克-戈达(dá )(🍄)尔(ěr )和(hé )阿兰-坦(tǎn )(🔔)纳(🚻)的电(diàn )影。nos d_faites汇集了调查结果，并增(💝)加了采(🏉)访，在(👊)采访(💍)中(zhōng )，导演询问学(xué )(🏻)生(shēng )他们刚刚表演的场景，关于(💹)“阶(jiē )级”、“工会(huì )”和(hé )“政治参与”等(⏲)概念，以及更广泛的社会背景。这是(shì )一个简单，但(🌱)尖锐的(de )设置，让观众一瞥(piē )年轻一代如(rú )(🔲)何(👛)看待政治和过去(qù )的(🔪)政治电影(yǐng )。这部(💅)影片还记录(lù )了导(dǎo )(🎴)演试(🚤)图激怒学生(❄)的(💁)企(qǐ )图。在导演和(hé )学生(🍯)似乎处于平等地位的遭(👼)遇(yù )中，基于从未(wèi )见过的导演(yǎn )(🕵)更多类似于老师的提(tí )问(wèn )，以及此时(shí )此刻(kè )对(🍝)革命(mìng )的(🕌)思考：起义的表现反映(🍏)了同样的情况。这会导致一(yī )个真实的(de )发(🖥)生吗？(🌽)
(🦄) In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
回到(📐)1968年的电(diàn )影(yǐng )时代，继(jì )续对重放从过去(qù )跳出(chū )来的(😙)电影(yǐng )节(🈲)选的年(➡)轻人(rén )(📏)进行今天(tiān )的采(cǎi )访，我们的(😶)失败描绘了我们当(dāng )前与政(🤞)治的关(🏥)系。我们的失(shī )败，还是我(wǒ )们有(🚜)足够的(👟)力(lì )量(🐈)来面对(duì )今天的混乱？
(🔊) By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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